Oleana as a Tragedy

Oleana presents many definitive qualitys that could categorise it as a tragedy. The nearly prominent is the presence of a harnartia, executed by John. Harnartia is Greek spoken communication that translates literally to missing the mark, and was often used to depict the Heros calamitous flaw. In the case of Oleana, it could be argued that John committed the fatal error of breaching the licit gap between teacher and student by placing his arm nigh Carol while trying to soothe her.This sentimental re pieceion is broadly condoned by the audience, despite the legal implications, as the motional reasoning behindhand it temporarily clouds the unprofessional elements. Ultimately these actions result in a wind of bad luck. Tragedies also have a reputation for elating the audience, and encouraging counterpoint emotions for the characters. Such is arguably achieved, as Carol is portrayed as a youthful woman whom is insecure in her own academic abilities and correspondingly becomes a victim to Johns crass, arrogant attitude as is shown by an ingrained amount of ellipsis and interruptions in their earlier interactions.She is also strained by that of her own group whom convince her to liberate the dramatic allegations that guarantied Johns downfall. However, she is also represented as vindictive and headstrong, as is shown by her dialogue in the last act w herein she attempts to blackmail John into rebuking his book If you would like me to speak to the tenure committee, here is my list. You are a free person, you decide. John is firstly depicted as a brash and slightly aloof man with good intentions, however as the story develops, these quirks lose their initial romance and his character appears encroaching(prenominal) and pompous, due to his esquipedalian qualities. He dominates the conversation and ushers Carol repeatedly an action which is slackly regarded as being extremely derogatory and advocates the belief that his elder condition gives him a right to be condescending.Even disregarding the fact that they are of glacial sexes, it is strenuous to reach a conclusive, untainted resolve, and thereof the desired establish is achieved. It is common in tragedies to have a reversal of fortune this could be reorient with Johns looming loss of power, Job, home, and, effectively, life, due to Carols persecution. A great deal of his loss is arguably down to Johns insolent action of belittling the resonance of a higher(prenominal) power in this case the Tenure Committee.He believes that they will revoke the statement, and thus foolishly provides Carol with more opportunities to amplify damning evidence. This is an unmistakable trait in variations of Tragedies, generally tagged hubris, wherein the equilibrium is only achieved after the hotshot suffers for their imprudence towards the Gods. Lastly, a key feature in any play is the let loose a seemingly detached group, whom gather to inflict Judgements and muse everyplace the ighteousness of the characters actions throughout.The most relevant comparison to this in Oleana is the presence of the telephone, and the confliction and distraction it brings. This ongoing chaos could possibly be interpreted as foreshadowing for the misfortune that John was fated to experience, or the general tone of condemnation regarding Johns discordant inappropriate actions towards Carol. In conclusion, there are many connections that can be made between a typical tragedy production and Oleana, and it would be completely valid to place Oleana in that genre. Oleana as a tragedy By saraelnairree